剧照
点击查看大图剧情简介
Andy Warhol’s film Henry Geldzahler (1964) presents the notable critic and curator as a lone subject in front of Warhol’s fixed movie camera. Warhol shot the film at 24 frames per second but projected it at the lower speed used for silent films, so that the projection seems slowed. The result is a durational, and at times monumental, portrait of identity, personality, and disco...
影迷评论
0 条评论