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Made in 1977, Marva Nabili’s The Sealed Soil anticipates the formal asceticism of the films that would follow Iran’s 1979 Islamic Revolution. It also offers a feminist corrective to the male-dominated concerns of that post-revolutionary cinema. 18-year-old Rooy-Bekheir is like a stone, obstinate and unmoveable. Throughout the film she mostly sits: at the courtyard hearth, oppos...
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