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In 2017 in Mariupol, independent filmmaker Sashko Protyah lent a video camera to his friend, odd-jobber and cinephile Oleksandr Surovtsov. As a result, Surovtsov created a durational self-portrait, documenting his life and work as a night guard in a semi-abandoned post-industrial facility in Mariupol. The dedramatization of the events occuring in the image goes hand in hand wit...
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