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Morgen beginnt das Leben is arguably the biggest stunner of the Third Reich because it doesn't fit at all with the requirements of the era predating Antonioni and similar directors in its experimental mood, but is also strongly connected with the early sound millieu films like Siodmaks Abschied, Fejös Sonnenstrahl or Machatys Ze Soboty na Nedeli. It also uses all kind of soun...
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