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Walter Hugo Khouri号称是巴西电影界的伯格曼,〈空洞的夜〉(1964)〈燃烧的躯体〉(1966)和〈好色之徒〉(1968)是他的人性三部曲,在他的影片中充满着存在主义的疑问、角色复杂内心的独白和现代主义的电影语言。 I think that Walter Hugo Khouri was inspired by Antonioni's "Deserto Rosso", when he made "Corpo Ardente". There's the same bleak landscape. And the photography is a mystery to me - it is a black & white with shades of color, or rather a color film transmuted into...
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