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1978, Babette Mangolte made a film of famed choreographer Trisha Brown dancing a hyperkinetic solo called Water Motor. The first portion was filmed in "real time," at 24 frames per second, and the second at half-speed, or 48 frames per second. In the second take, Brown's movements appear elongated in time, the slowed frame rate making visible what was previously inaccessible to...
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